![]() I wanted to see if AI could predict what the colours would have been. I wanted to see how it would have looked like if I was on the set of Pather Panchali in colour. With AI, you can not only improve video quality, but also optionally colour the video at virtually no cost and very little time (hours as opposed to years). Manual colorization in films like Mughal-e-Azam or Hollywood movies takes years to do and costs crores. This small experimental video is only an attempt to see how far AI can go. For me, I will always remember Pather Panchali in black and white, and that’s how it should be watched, for the magic of art and cinema. I only wanted it to be an academic experiment using AI. I had no idea that this would become controversial. It is often featured in lists of the greatest films ever made.More Premium Stories > Your recreation has evoked a mixed response. The first film from independent India to attract major international critical attention, it won India's National Film Award for Best Feature Film in 1955, the Best Human Document award at the 1956 Cannes Film Festival, and several other awards, establishing Ray as one of the country's most distinguished filmmakers. Pather Panchali is described as a turning point in Indian cinema, as it was among the films that pioneered the Parallel Cinema movement, which espoused authenticity and social realism. The tale of Apu's life is continued in the two subsequent installments of Ray's trilogy: Aparajito (The Unvanquished, 1956) and Apur Sansar (The World of Apu, 1959). Scholars have commented on the film's lyrical quality and realism (influenced by Italian neorealism), its portrayal of the poverty and small delights of daily life, and the use of what the author Darius Cooper has termed the "epiphany of wonder", among other themes. Critics have praised its realism, humanity, and soul-stirring qualities, while others have called its slow pace a drawback, and some have condemned it for romanticising poverty. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. It was a hit at the box-office, yet up until early 1980 had earned a profit of only ₹24 lakh. Following its premiere on during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta later the same year to an enthusiastic reception. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Production was interrupted because of funding problems and it took nearly three years for the film to be completed. Featuring Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, Pinaki Sengupta, Chunibala Devi and being the first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amidst the harsh village life of their poor family. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name, and marked Ray's directorial debut. Pather Panchali (Bengali pronunciation: transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray and produced by the Government of West Bengal.
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